Dead Man’s Hand

by James J. Butcher

In a modern world where witches and non-witches live together, a washed-up witch hunter’s old partner is killed for a magical artifact. Based on her last words, the Hunstman finds Grimsby, a witch who washed out of the Department’s training program and now works at a Chuck-E-Cheese ripoff restaurant entertaining awful children. Together they go searching for the killer and the artifact—and Grimsby’s spine.

Good read. It didn’t suck me in, though. I’m not sure if the story was lacking something, or if hard-boiled detective fantasy just doesn’t do it for me any more. But this is the first book in a series and I’ll probably pick up the next one at some point to see where the story goes.

For what it’s worth, the author is the son of Jim Butcher, who writes The Dresden Chronicles, and this book is a chip off the old block.

Dangerous Women

by Brandon Sanderson, Caroline Spector, Carrie Vaughn, Cecelia Holland, Diana Gabaldon, Diana Rowland, Gardner Dozois, George R. R. Martin, Jim Butcher, Joe Abercrombie, Joe R. Lansdale, Lawrence Block, Lev Grossman, Megan Abbott, Megan Lindholm, Melinda Snodgrass, Nancy Kress, Pat Cadigan, S. M. Stirling, Sam Sykes, Sharon Kay Penman & Sherrilyn Kenyon

A collection of short stories about women, selected by two men, George R. R. Martin and Gardner Dozois. I had my doubts going in.

Most of the stories in this book are fantasy or fantasy-adjacent. About half are good, with a few standouts. I thought Sharon Kay Penman’s “A Queen in Exile” and Lev Grossman’s “The Girl in the Mirror” were excellent. Brandon Sanderson’s “Shadows For Silence in the Forests of Hell,” Nancy Kress’s “Second Arabesque, Very Slowly,” and George R. R. Martin’s novella, “The Princess and the Queen,” were very good.

The other half save one were forgettable. That one, “I Know How to Pick ‘Em,” by Lawrence Block, was memorably awful. I will spare you the details but it is a gratuitously disturbing pornographic story I wish I hadn’t read. If you find yourself reading this collection I would advise you to skip it.

Block’s odious story was almost enough to get me to quit reading entirely, but I didn’t and good thing, because most of the good stories came right after that one.

The Dragon Republic

by R. F. Kuang

The middle part of a trilogy can be hard. The first part is usually written so it can stand alone. But when an author starts the second part of a trilogy they are already thinking about the third, so it has to be a connector. It continues the story and sets up the finale, but it, too, has to stand alone to keep people interested.

It can work. The Empire Strikes Back is the best of the original Star Wars trilogy. The Dragon Republic might not be the best of R. F. Kuang’s trilogy, but it more than delivers. And it does what the second part of any trilogy must do: it makes me want to pick up the third book immediately.

The Poppy War

by R. F. Kuang

I read The Poppy War for the first time a couple of years ago, but I did not realize it was a series. As soon as I found out I bought the other books and re-read the first one to remind myself of the story.

Rin, an orphan who survived the genocide of her people, tests into the Sinegard military academy where she discovers her unique ability to summon fire before the Third Poppy War breaks out. This book is so very good, and I’m looking forward to continuing the story in The Dragon Republic.

Gallant

by V. E. Schwab

A dark, lovely book about a lonely orphan who sees ghouls everywhere and returns home to find Death waiting for her. And somehow, serendipitously, I happened to pick it up two days before Halloween.

Nona the Ninth

by Tamsyn Muir

I adore this series, but I don’t know if I liked this book. I don’t think I could actually explain what happened. It was all very vague. Maybe I just need to go back and re-read the first two books for clues.

I wouldn’t start with this book, anyway, but I’m still looking forward to the next one.

Seafire

by Natalie C. Parker

This was a swashbuckling post-apocalyptic young adult pirate novel. Kind of like Waterworld, but with an attack yacht full of young women pirates instead of Kevin Costner on a catamaran with a tomato plant. It started a bit slow, got good, and ended with a bit of a whimper.

PS, you don’t use oars in a canoe. Not sure I can forgive the author for that.

The Serpent of Venice

by Christopher Moore

A comic smushing-together of “The Cask of Amontillado,” “The Merchant of Venice,” and “Othello.” Plus Marco Polo and a dragon, because why not. Quite bawdy.

As an English major with well-thumbed copies of all the source materials on my bookshelf, I thoroughly enjoyed it.